这些用放大镜才看得清的雕刻作品,被称之为石章边款微刻,当我第一次见到这些作品时,便被其精到的刻工和独具的书法味所折服。这些作品的作者叫汪稼亮。稼亮出生在风光秀丽的青岛市,他在一个文化气氛很浓的家庭里长大,他有一个脾气很好且知书达理的父亲,父亲对他的良好教育使他从小就喜爱艺术。他学过绘画,尤其喜欢写字,他对中国书法下过相当的功夫,作过系统的研究,尤喜汉隶中的《张迁碑》,魏碑中的《张猛龙碑》、《郑文公碑》,颜真卿的《多宝塔碑》及王羲之的行草。他从1986年开始搞微刻,最初的启蒙却是商店里摆的微刻商品。稼亮的哥哥汪稼华是著名的中国画家,对他的影响自不待言,是他坚定信念、取得成功的重要精神支柱。稼亮的姊妹中有一条不成文的规矩,即是每年春节时,哥哥稼华都要为姊妹们各送一 These sculptures, which were only visible with a magnifying glass, are called Shizuka models. When I first saw them, they were impressed by their meticulous carving and unique calligraphy. The author of these works is Wang Jia Liang. Born in the beautiful city of Qingdao, Jia Liang grew up in a family with a strong cultural atmosphere. He has a good-natured and reasonable father and his father’s good education has given him a fondness for art. He studied painting, especially like writing, he studied Chinese calligraphy under considerable effort, made a systematic study, especially in the Han Dynasty in the “Zhang Qian monument”, Wei tablet “Zhang Meng monument”, “Zheng Wen Gong monument” , Yan Zhenqing “multi-pagoda monument” and Wang Xizhi’s line of grass. He started micro-engraving in 1986, the initial enlightenment is the micro-merchandise placed in the store. Jia Liang’s brother, Wang Jiahua, is a famous Chinese painter. The impact on him goes without saying, an important spiritual pillar of his firm conviction and success. There is an unwritten rule among the sisters of Jia Liang, that is, every Chinese New Year, my brother Jia Hua should send one for each of his sisters