王若琳的出现实际上是填补了华语的一个空白,在华语爵士乐领域,要不就是没有一副天生沙哑的爵士嗓,要不就是没有足够的文化背景来真正诠释爵士音乐。王若琳的西洋背景加上不可多得的一副烟熏嗓子,可说是她在华语爵士一枝独大。有两年半没有发片的王若琳,现在积攒的能量连发两张。发行在华语圈的自选集是她不断重复自己的爵士音乐,而发行在日本的原创专辑则让大众 The appearance of Wang Ruolin actually filled a gap in Chinese. In the field of Chinese jazz, either there is no jagged jazz voice or there is not enough cultural background to truly interpret jazz music. Wang Ruolin’s western background with a pair of smoky voice can be said that she is a jazz in Chinese dominate. Wang Ruolin, who has not made a film in two and a half years, now has two pieces of energy accumulated. Release in the Chinese circle of self-selection is that she constantly repeat their jazz music, while the original album released in Japan let the public