在中国画中,花鸟画往往是作为山水画一个局部存在的:一草一木,一枝一叶,一竹一石,一丛花,数支藤,从山水画中截来,取个近镜头,把它们放大成一个完整画面,偶尔再拉两只飞禽、一只走兽装点,文人的笔墨趣味与审美理想跃然纸上。青年画家张剑隐身在自然世界背后,不断把花鸟虫鱼放在显微镜下审视、谛听,不断用诗意的笔墨叙说大自然中不同生命的律动,并在不断的“移情”中,把自己深深地融入自然,无我 In Chinese painting, flowers and birds are often painted as a local landscape: a grass and a tree, a leaf, a bamboo and a stone, a cluster of flowers, a few cane, cut off from the landscape painting, take a close shot, enlarge them Into a complete picture, and occasionally pull two birds, a beast point, the literati’s pen taste and aesthetic ideal vividly on the paper. Young artist Zhang Jian, who is stealthily behind the natural world, constantly examines and listens to flowers, birds and insects under the microscope and constantly narrates the rhythms of different lives in nature with poetic ink. In the constant “empathy” I deeply into nature, without me