18世纪莱辛的《汉堡剧评》是他对汉堡民族剧院的实践进行批评和探讨的理论成果至19世纪标志着浪漫主义对古典主义的胜利的雨果《艾那尼》的首次上演。雨果与莱辛的灵魂深处的对话在于《艾那尼》的内在表达契合《汉堡剧评》中的观点,从而突显莱辛的艺术思想的独特成就和魅力。 The 18th-century Lessing’s Hamburg Drama Criticism was the first of his theoretical achievements in criticizing and discussing the practice of the Hamburg National Theater to Hugo “Aiina”, the nineteenth-century mark of romantic triumph of classicism. The dialogue between Hugo and Lessing’s soul lies in that the intrinsic expression of “Aini” meets the viewpoints in the “Hamburg Drama Criticism”, thus highlighting Lessing’s unique artistic achievements and charm.