论文部分内容阅读
穿僧侣衣服的多米尼克叔叔(约1866年)65×54公分这是塞尚青年时期的代表作。他叔叔穿了一件带风帽的白斗蓬,并摆了一个姿势让他作画。人家感到年轻的艺术家很高兴地画了这幅画。画中的戏剧效果隐藏着一定的嘲讽心情。这个魁梧人物的思想和弃绝红尘进入宗教生活后仍沉于肉欲的外表,体现塞尚性格中浪漫的一面。在这个时期里,他的这一方面思想占了支配地位,如他画的许多轶事画,如《绑架》、《凶杀》、《狂欢》等就是证明。画中的对比是运用色彩的分配来突出的:肉色区非常绚丽,有关的地方都使用了冷淡的灰色和白色,笔法也同样地突
Un Dominicans wearing monks clothes (about 1866) 65 × 54 cm This is a masterpiece of Cezanne youth. His uncle wore a white cloak with a hooded cap and posed a pose for him to paint. People who feel young artists are happy to draw the picture. The dramatic effect in the painting hides a certain amount of mocking mood. The thought of this burly figure and the abandonment of the Dust into the religious life are still submerged in a sensual appearance, reflecting the romantic side of Cezanne’s character. During this period, his thoughts in this area dominates. As many anecdotal paintings he painted, such as “abduction”, “murder”, “carnival” and so on are proof. The contrast in the painting is highlighted by the distribution of colors: the flesh-colored area is very gorgeous, the places of interest use the frosty gray and white,