杨惠东在2012年第12期的《美术观察》上撰文指出,所有的美术出版社完成转企改制,与政府脱钩走向市场,是十年来美术出版最重要的事件。就本质而言,美术出版社仍是宣传机构的一个重要组成部分,其根本使命并没有改变。其次,近十年来民营工作室的强势崛起也是当前美术出版社必须面对的现实。长期以来对政策的依赖和对出版资源的垄断,使得国有出版社养成了一种根深蒂固的惰性。或许我们可以不无刻薄地说,当前美术出版存在的最大问题是浮躁和不思进取。再者,自费出版成为很多出版社的重要经济支柱,随之而来的必然是学术底线的降低乃至消失,学术虚假、学术腐败泛滥成灾,使得美术 Yang Huidong published an article in the 12th issue of 2012 Opinion on Fine Arts. He pointed out that all fine art publishing houses have finished the process of transforming enterprises into public institutions and decoupling from the government to go to the market. This is the most important event in art publishing in the past decade. Essentially, fine art publishing houses are still an important part of the propaganda agency and its fundamental mission has not changed. Secondly, the strong rise of private studios in the past ten years is also the reality that must be faced by art publishing houses at present. The long-standing dependence on policies and the monopoly of publishing resources has led state-owned publishers to develop a deep-rooted inertia. Perhaps we can say without hesitation that the biggest problem with the current art publishing is impetuous and unscrupulous. Moreover, the publication of self-financing as an important economic pillar of many publishers, followed by the inevitable decline or disappearance of the academic bottom line, academic fraud, academic corruption is rampant, making art