形似和神韵是中国古代重要的美学范畴之一,从古至今,对于它们之间的关系都是人们争论的焦点之一,有的画家认为形似重于神韵,有的画家认为神韵高于形似,还有的画家认为形似神韵同等重要,而这些争论都离不开形似与神韵的对立统一性。 Form and charm are one of the important categories of aesthetics in ancient China. Since ancient times, the relationship between them is one of the focal points of people’s debate. Some artists think the shape resembles the charm and some artists think the charm is higher than the shape, Some artists think that the shape of the charm is equally important, and these arguments can not be separated from the unity of opposition between appearance and charm.