“于正剧”等“雷剧”“叫座不叫好”的现象一直备受批判。“雷剧”的出现与繁荣是文艺市场运作的自然结果,涉及到创作、传播和观众等多个方面。从“雷剧”自身的构成来看,它在符号要素、文本互文性和对传统电视剧的意义解构三个方面,既有可取处又有颇为极端的做法,共同促成了“于正剧”等“雷剧”的热销。 “In drama ” and so on “Drama ” “Appreciation ” phenomenon has been subject to criticism. The emergence and prosperity of “Lei Drama” is the natural result of the operation of literary and art markets, and involves many aspects such as creation, dissemination and audience. From the composition of “Lei drama” itself, it has both feasible and quite extreme practices in terms of symbolic elements, textual intertextuality and the deconstruction of traditional drama. In the drama “ ” Drama "hot.