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在网上查金泽珊的简历,知道他一九九五年就参加过中国书协举办的展览,二○○四年以来,数数入展获奖,总有十几二十次之多,一直到“第十届国展”获奖,这是当代书法才子所要走的一般道路。这样的青年书法家,肯定在一定范围内独领风骚,而在全国范围内,影响还不够大,这说明大展的影响力和震撼力越来越小了。
Seeing Kan’s resume on the Internet and knowing that he had participated in the exhibition organized by the China Association of Shijie in 1995, the number of entries has been awarded since the end of 2004. There have been as many as a dozen to twenty times, “The Tenth National Exhibition ” award, which is the general path to go by contemporary calligrapher. Such young calligraphers certainly dominate within a certain range, and in the country, the impact is not big enough, indicating that the influence and power of the exhibition is getting smaller and smaller.