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戏神信仰研究,是关涉戏剧学和民俗学的跨学科课题。对研究观念和方法进行反思和创新,是推进这一课题研究的关键环节。利用戏剧人类学的观念和方法,将戏神信仰的历史视为一部伶人精神生活史来作深度的解析,无疑是揭示戏神信仰背后文化意蕴的有效路径。研究伶人的精神世界,便于通过人类学的角度回答戏神信仰与中国戏剧发展内在关联性这一根本问题,从而赋予戏神研究课题丰富的戏剧史价值。
The study of drama God’s faith is an interdisciplinary topic related to drama and folklore. To reconsider and innovate the research ideas and methods is the key link in advancing the research on this topic. The use of the concepts and methods of drama anthropology, the history of drama God as a spiritual life history of people to conduct an in-depth analysis, is undoubtedly reveal the cultural meaning behind the belief in drama God’s effective path. Studying the spiritual world of the actor, it is easy to answer the fundamental problem of the connection between drama belief and the development of Chinese drama through the perspective of anthropology, thus giving the drama God the rich subject value of drama history.