自清代大兴碑学以来,“写手与刻手论”已成为近百年中书家们普遍关注的问题。一方面使许多人得到了碑学的滋养,更关注碑派书法的审美情趣;另一方面也丰富了关于这方面的理论,以期借古开今,指导我们书法临习创作。作为书法学习的后辈,我也整理了些前人的资料,浅谈一下自己的看法。 Since the founding of Daxing in the Qing Dynasty, “writing and handwriting theory” has become a common concern of the book writers in recent one hundred years. On the one hand, many people get the nourishment of the study of sculptures, and pay more attention to the aesthetic taste of the calligraphic inscriptions. On the other hand, they have also enriched the theories in this field so as to guide ancient calligraphy writing. As a descendant of calligraphy learning, I also compiled some of my predecessors’ information and talked about my own views.