20世纪80年代,当代艺术思潮蓬勃发展,艺术家们热火朝天地投身当代艺术,像“革命者”一样在其中冲锋陷阵,这直接冲击着传统的造型艺术。版画作为传统造型艺术的一种,在中国近代美术史中占据重要位置,然而其社会批判性在逐渐平稳的中国政治经济下被弱化,可复制性也使其在以唯一性为评判标准的市场化的冲击下处于模糊与尴尬的境地,版画似乎离“当代艺术”越来越远。 In the 1980s, the trend of contemporary art was booming. Artists engaged in contemporary art in full swing, striving like the “revolutionaries,” which directly affected the traditional plastic arts. As a kind of traditional plastic arts, printmaking occupies an important position in the history of Chinese modern art. However, its social criticism is weakened in a gradual and steady Chinese political economy. Replicability also allows it to be used in the market with uniqueness as the criterion Under the impact of confusion in a vague and embarrassing situation, print seems to be “fading” from “contemporary art.”