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自创作初期起,揭露和批判就是张大力从未间断的自觉的艺术行为。张大力的新作《风/马/旗》延续了他一以贯之的利用民工的真身塑造形象的手法,其凭附的风、马、旗等媒材构成了这一新作突出的特质,通过他们/它们具体的行为状态,以逼真性、寓言化的话语方式来获得对现实人生更多、更深的隐喻和辐射,从而充实和延伸了其话语内在的意蕴。也正是这种表层真实后面的寓言意味,才揭示了隐藏更为深刻的真实,才能够引起我们心理的认同和心灵的共鸣。
Since the early days of his creation, exposing and criticizing Zhang Dali never stopped his conscious artistic behavior. Zhang Dali’s new work, “Feng / Ma / Qi”, has continued his consistent practice of using the true nature of migrant workers to create an image. The attached wind, horses and flags constitute the outstanding features of this new work. Through their / Their specific state of behavior, with realism, allegory of discourse to get more and more real life metaphors and radiation, thus enriching and extending the inner meaning of its discourse. It is also the allegory behind this superficial realism that reveals the deeper hidden reality before it can arouse our psychological identity and spiritual resonance.