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蒙古族室内乐的出现距今有近七十年的历史,在响应国家文化方针政策的背景下,蒙古族艺术家通过深刻探索,找到了一种本民族音乐与外来音乐相互交融的有效方法。一方面使蒙古族音乐与时俱进,得到改良与提升;另一方面也促进了民族音乐的繁荣,获得更好的传播推广效果。本文的研究在探讨蒙古族室内乐的缘起与构成类型等理论问题的基础上,以近年来较为成功的歌舞剧作品《阿拉善传奇》为案例,评述室内乐如何在现代舞台上为戏剧创编服务,如何通过民族音乐与西方音乐构成的合力,辅助作品中剧情的刻画、人物的渲染、内涵的表达。由此更为直观的显现蒙古族室内乐在现代戏剧舞台上不可或缺的功能与价值。
Mongolian chamber music emerged nearly 70 years ago. Under the background of responding to the national cultural guidelines and policies, Mongolian artists found through profound exploration an effective way to blend the national music with foreign music. On the one hand, the Mongolian music can be improved and upgraded with the times; on the other hand, the prosperity of the national music has also been promoted and the spread and promotion effect of the Mongolian music has been better. Based on the theoretical issues such as the origins and composition types of Mongolian chamber music, this dissertation, based on the case of Alashan Legend, a successful song and dance opera in recent years, reviews how the chamber music serves drama creation on the modern stage , How to assist the depiction of the plot, the rendering of characters and the expression of connotation through the joint force of national music and western music. This more intuitive display of Mongolian chamber music in the modern drama arena on the indispensable functions and values.