中国当代公共纪念性雕塑形态的变革与建国以来的意识形态、文化形态的变化密切相关。50、60年代公共纪念性雕塑形式、题材以及与环境的关系遵循着一定之规，社会功能明确。80年代纪念性雕塑的创作获得了较大的选择空间，创作面貌更加丰富。同时，也出现了诸如片面关注形式感、作品矫饰化、生硬搬用现代语汇等问题。90年代的中国经历着社会转型的深刻变革，城市文化生态呈现为一种交错、互动和共存的多元景观。纪念性雕塑面临着如何协调与环境关系的难题。关注现实，把握当代文化与精神的发展趋向和特点，从而使纪念性雕塑在弘扬社会主流价值观的过程中形成与社会政治、文化和经济力量的互动，这是公共纪念性雕塑发展的方向。 The change of the contemporary public memorial sculptures in China is closely related to the changes in ideology and cultural forms since the founding of the People’s Republic. In the 1950s and 1960s, the public memorial sculptures, themes and the relationship with the environment followed certain rules and defined social functions. The creation of the commemorative sculpture in the 1980s has gained a lot of room for selection and creation. At the same time, there have also been issues such as one-sided attention to formal sense, work-style modification, blunt use of modern vocabulary. In the 1990s, China experienced profound changes in social transformation. The urban cultural ecology presented as a multi-dimensional landscape of interlacing, interaction and coexistence. The memorial sculpture is faced with the problem of how to coordinate the relationship with the environment. Pay attention to the reality and grasp the development trend and characteristics of contemporary culture and spirit so that the commemorative sculpture forms the interaction with social politics, culture and economy in the process of promoting the mainstream values ​​of the society. This is the direction for the development of public memorial sculpture.