“改造历史”是30年来民间举办的规模最大的当代艺术展。一个大展能留下几件打烙印的作品,就值得赞许。99艺术网记者请我评价作品,我说很好、较好、平庸、粗糙各占四分之一。这当然不是统计上的而是感觉上的划分。其中,架上绘画令人失望,装置艺术表现优秀。据说影像不错,不过节奏大都缓慢。由于作品多而时间紧,我只看了一件,呆了一分钟仍然慢条斯理,不得不溜之大吉。中国影像艺术家不必模仿老外的影像风格,慢节奏决不是深刻或沉重或历史感的必要形式。在注重直观的造型艺术展上,它会失去众多观众。——彭德 “Transformation History ” is the largest contemporary art exhibition ever held by folk in 30 years. A show can leave a few pieces of branded works, it is commendable. 99 art network reporter asked me to evaluate the work, I said very good, good, mediocre, rough each one-fourth. This is certainly not a statistical but a sensory division. Among them, the painting on the shelf was disappointing and the installation art performed well. It is said that the video is good, but the pace is mostly slow. As the works and more time tight, I only read one, stayed a minute still slow, had to slip away. Chinese video artists do not have to imitate the imagery of foreigners, and slow tempo is by no means a necessary form of profoundness or heavyness or a sense of history. It will lose a lot of viewers when it comes to intuitive styling. - Peng De