一个颤巍巍的乡村老太婆边扣着老式棉袄的布扣边向冬之黎明的村头迈去……这组蕴含着人与人、人与土地等亲情的送别场面,构成的并非是电视剧叙事的开始,而是《远在北京的家》纪录的“起笔”与情感的走势。兴许你在回味这组镜头意味的当儿,不免想问该片的主摄像陈树凡:咋拍的?而总那么喜欢 A quivering country-old woman buckles the cloth buckle of the old-fashioned cotton-padded jacket toward the dawn of the village in the winter ... ... This group contains the farewell scenes of people, people and land and other relationships, constitute not narrative narrative Beginning, but the “pen” and “emotional” trend of “far away from Beijing” records. Perhaps you are in the aftertaste of this set of lens means, can not help but want to ask the film’s main video Chen Shufan: ye beat? And always so like