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电影,作为一门综合性艺术,需要通过多种影象因素来衬托环境,表现主题。其中,背景色彩的作用尤为重大。法国影片《最后一班地铁》就很好地体现出这一点。影片开始,一幅色调低沉的画面呈现出来:阴晦的天空,泥泞污浊的大地,神色淡漠的行人……一种压抑的气氛,笼罩着蒙玛特剧院,凝固着每一个法国人的心灵。透过几处暗淡的光线,几名全副武装的德寇踏着泥水匆匆走过。身影闪处,一幅溅满泥点的肮脏的纳粹宣传画隐隐可见……阴郁的画面,显示出当时社会的黑暗;大面积黑色调的反复渲染,更在观众心理上造成一种暗的氛围,成为感受整部影片画面的固有底色,从而深刻地体会到影片反纳粹的主题。而导演为了加强这种黑色调对
Film, as a comprehensive art, needs a variety of image elements to set off the environment and show the theme. Among them, the role of background color is particularly significant. French film “the last subway” is a good illustration of this. The film begins with a low-toned picture of the sky: dark sky, muddy dirt, indifferent pedestrian ... a depressing atmosphere, enveloped the Montmartre theater, solidifying the heart of every French. Through several bleak light, several fully armed dervish walked muddy water hurriedly. In the flash, a filthy Nazi posters full of muddy spots are faintly visible. The gloomy picture shows the darkness of the society at that time. The repeated rendering of a large area of black color creates a darker psychological impression on the audience Atmosphere, become the inherent background of the entire film experience, and thus deeply appreciate the film anti-Nazi theme. The director in order to strengthen this black tune