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艺术古籍出版在体制保障方面历来是脆弱的。文献史上艺术古籍作为一个典籍门类并不独立,它隶属于四部的子部(音乐往往在经部),后来尽管有过“四库全书·艺术类”这个概念,可惜没有很好地弘扬,丧失了将艺术典籍独立门户的绝佳机遇,这些部对艺术古籍出版不利。即便今天古籍出版受到重视,也常常把重点放在文、史、哲上,在规划立项、资助评奖中,艺术典籍处于比较弱势的地位。就拿2012年7
The publication of art books has always been fragile in terms of institutional guarantees. In the history of literature, the art of ancient books was not independent as a category of books. It belonged to the four branches (the music was often in the Ministry of Education). Later, although there was a concept of “Sikuquanshu and Arts,” unfortunately, it was not well promoted , Lost the excellent opportunity to separate the art books into independent portraits, which are unfavorable to the publishing of art ancient books. Even though ancient books are valued today, they often focus on the history, culture and philosophy. In the course of planning projects and subsidizing awards, art books are in a relatively disadvantaged position. Take 2012 7