如今在中国文坛提起刘庆邦的名字,简直可以说无人不知,无人不晓。尤其是他的短篇,早已自成境界,多数作品像《鞋》、《梅妞放羊》等已成名篇。这些都是批评家门该发的言论,无须我们这些写印象记的人赘言。印象当中,庆邦是个讷于言,敏于行的人。平常他的话不多,一般在人多的场合,无论是集体出游还是聚会欢宴,总听不到他的声音,仿佛他这人并不在场。但每逢开口,必有妙语警句或惊人之语。就像他的小说,总是不声不响,却总是那么地道,透着股厚重底蕴和顽强坚韧性,还有眯缝起眼睛笑的那么一股聪明、狡黠的劲儿。 Liu Qingbang’s name is now mentioned in the Chinese literary world, it can be said that no one knows, nobody knows. Especially his short stories, have long since become a realm, most works like “shoes”, “Mei girl sheep” and other famous articles. These are the comments made by critics and need not be reiterated by those of us who write an impression. Among the impressions, Gyeongbuk is a person who is naive and sensible. Normally he did not much, usually in many occasions, whether it is a collective travel or party feast, can not hear his voice, as if he was not present. But every opening, there must be aphorisms or astonishing words. Like his novels, always quiet, but always so authentic, reveals a thick heritage and tenacity tenacity, as well as narrowing his eyes so clever, sly smile.