元明清时代的南北曲曲谱数量众多,虽然都称为曲谱,但详略不同,简单的只列有宫调名、曲牌名,详细的则不仅标明平仄、点板,连具体工尺都一一载人。以往的研究集中于对曲谱的个体研究,而对曲谱间的联系、曲谱样式的发展则研究不多。本文旨 Although there are a large number of North-South-North Songs during the Yuan, Ming, and Qing Dynasties, they are all referred to as musical scores. However, they are slightly different from each other in their simplicity. Manned. Previous studies have focused on individual studies of music scores, but little has been done on the connection between music scores and on the development of music styles. The purpose of this article