近年,人们对戏曲批评以及整个戏剧批评和文艺批评有许多不满的意见,如:认为与创作的繁多相比,批评常常滞后,不在场;戏剧批评不说真话,说好话的多,谈缺点的少;批评文章空话多,一般化的多,切合实际、有真知灼见的少;等等。这些批评是有道理的,值得认真反思;但是如同对戏剧创作不能简单地一概否定一样,对戏剧批评的成败得失也要做具体分析。笔者想主要就戏曲批评 In recent years, many people have expressed their dissatisfaction with the criticism of drama as well as the entire theater criticism and literary criticism. For example, they think that criticism often lags behind and is not present when compared with the numerous creative works. Drama criticism does not speak the truth, Less; criticism of empty talk more articles, more general, practical, with little insight; and so on. These criticisms are justified and worthy of serious reflection. However, just as the dramatic creation can not be simply rejected, the success or failure of dramatic criticism must also be analyzed in detail. I want to mainly criticize the drama