受到德国浪漫主义美学传统和犹太教弥赛亚救赎传统的双重影响,本雅明在其早期作品《译作者的任务》一文中表达了一种先验的艺术本体论,把艺术视为在“太初有言”普遍律令下对生命本原的回应和追索,从而在讨论艺术和受众之间的关系时,赋予译作者以被“拣选”的受众地位。 Under the dual influence of the German Romantic Aesthetic tradition and the Jewish Messianic Redeeming Tradition, Benjamin expressed a transcendental ontology of art in his early work The Tasks of the Translator, treating art as “ There is a saying ”under the universal law of the response to the original life and recourse, so that in discussing the relationship between the arts and the audience, to give the translator is to be“ chosen ”status.