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今年是越剧诞生110周年,对源远流长的戏曲来说,110年不算长,越剧还算是个年轻剧种,但如今也面临生存危机,亟待抢救、保护(以下简称“救保”)。为此,本文试从越剧本体出发,结合越剧发展史,试分出越剧的几种类型,并分析救保的对象究竟是整个越剧还是其中的某类?救保它的什么?如何救保?救保的对象、内容、原则方略等前提性问题。
This year is the 110th anniversary of the birth of Yue Opera. For a long tradition of opera, the 110-year-old opera is not a long opera. The Yue Opera is still a young drama, but it is now facing a crisis of survival and is in urgent need of rescue and protection (hereinafter referred to as “rescue”). To this end, this article tries to start from the body of Yue Opera, combined with the history of the development of Yue Opera, try to separate the types of Yue Opera, and analyze the object of the rescue is the whole Yue Opera or one of them? What is it? The objects, contents, principle and principle of the rescue are prerequisite questions.