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2014年8月的某天晌午,敦煌莫高窟洞窟内几台精密摄影机安静地运转着,工作人员正在对其中的一座中型佛龛进行拍摄。洞窟潮湿阴暗,用肉眼甚至很难分辨佛龛上的图案。他们正为一项浩大的工程“数字莫高窟”采集最新样本。而在距离莫高窟15公里的游客服务中心里,随着鼠标的滑动,高大的释迦牟尼坐像在直径18米宽的明亮球幕上徐徐展开,十多米高的洞顶壁画飞天
At noon on August 2014, several precision cameras in the cave at Dunhuang Mogao Grottoes quietly operated and staff were filming one of the medium-sized shrines. The damp and dark cave, with the naked eye or even difficult to distinguish the pattern on the shrines. They are collecting the latest samples for a huge project “Digital Mogao Grottoes.” In the visitor service center 15 km away from the Mogao Grottoes, with the sliding of the mouse, the tall statue of Sakyamuni sits slowly on a bright dome of 18 meters in diameter.