钢琴作为舶来乐器进入中国的时长已有一个多世纪。因其音域宽广,音色优美,且富于变化,因适用于各种类型的音乐风格和不同方式的情感表达,而被誉为西洋“乐器之王”。同时,在中国现当代音乐教育中的作用和地位也与日俱增。因此,如何推进钢琴艺术与中国音乐文化的有机融合进而实现钢琴艺术的民族化,越来越成为 It has been more than a century since pianos came to China as imported musical instruments. Because of its wide range, beautiful sound, and full of changes, due to apply to all types of musical styles and different ways of emotional expression, and known as the Western “instrument of the king ”. At the same time, the role and status of contemporary music education in China are also increasing. Therefore, how to promote the organic integration of piano art and Chinese music culture and then the nationalization of piano art has become