论文部分内容阅读
怀着敬畏与期盼,祈求与迷恋,以这么热烈的情愫执着一生,在当今的时代已经不多见了。可是在贵州的大山深处,这样的古老仪式一刻也没有停止过,如同几百年前一样。当我们触摸到起源于古希腊酒神祭祀的狂欢舞蹈从乡村被移植到雅典的城堡,而后经由欧里庇得斯、阿里斯托芬等大师逐步完善成熟的希腊戏剧时,我们会惊奇地发现,这些戏剧的雏形在今天的贵州山地上仍原貌保留着。于是,我们开始寻访——傩戏,这种戴着面具的神秘剧种,这种即将消失的古老文化。
With awe and hope, pray and infatuation, with such a passionate passion for life, in today's era has been rare. But deep down in the mountains of Guizhou, such ancient ceremonies never ceased, as they were hundreds of years ago. When we touch the carnival dance originated in the worship of the ancient Greek god of the gods from the countryside to the castle of Athens and then gradually perfect the mature Greek theater through Euripides and Aristophanes, we will be surprised to find that these The rudiment of the drama is still preserved in today's Guizhou mountain. So, we began to look for - Nuo opera, this masked mysterious drama, this is about to disappear in the ancient culture.