本文谈的是艺术家的观察与体察。一般地说,艺术家的观察必须也必然转化或发展为体察,可以说艺术家的观察就是体察。对于艺术家来说,观察并非不动声色或无动于衷地冷眼旁观;这样置身物外的观察只能获得事物的形貌,而不能把握事物的神髓。艺术家的观察是把自己摆进去,是全身的参与和投入。观察是否深入就看把自己放了多少到对象里去,即究竟“身入”到 This article is about the artist’s observation and observation. In general, the artist’s observations must or must be translated or developed into a visual observation. It can be said that the artist’s observation is an observation. For artists, the observation is not quietly or indifferently on the sidelines; such observations placed outside the body can only get the appearance of things, but can not grasp the essence of things. The artist’s observation is to put himself in, is the body’s participation and investment. See if you look deeper into how much you put yourself in the object, that is, “getting in” to it