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杜威从经验主张的比较入手去寻求经验背后的哲学意蕴时,形成了独特的经验存在论,而基于这种思路所构建的艺术经验以“经验交互”作为艺术存在的基本概念。艺术经验不是抽象的存在,也不是现实的存在物,更不是冷漠的旁观,而是人与周围世界的交互作用。“艺术即经验”表达了日常经验与科学经验、原始经验与反省经验、审美经验与理智经验的统一。这一思想启发了艺术创作的思考方向,包括艺术家作为反思性实践者、凸显参与式行动研究的重要性。
Dewey tries to find the philosophical meaning behind the experience from the comparison of experience, and forms the unique experience-based ontology. The artistic experience based on this thinking uses “experience interaction ” as the basic concept of art. Art experience is not an abstract existence, nor an existing reality, nor an indifferent spectacle, but an interaction between people and the world around them. “Art means experience” expresses the unity of daily experience and scientific experience, original experience and reflection experience, and aesthetic experience and rational experience. This thought inspired the direction of artistic creation, including the artist’s reflective practice, highlighting the importance of participatory action research.