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本文尝试从戏剧空间的角度观察和分析一些戏剧现象。20世纪后半叶,空间研究成为后现代显学之一,其中列斐伏尔的空间生产理论为学界瞩目,他建构出了关于空间的一些新概念和新表述,不过其基本观点倒也没有石破天惊,譬如,他认为空间不仅是物质的存在,也是社会关系的容器;空间具有物质属性,但决不是与人类实践和社会关系毫不相干的物质存在,正因为人涉足其间,空间对我们才显现出意义,所以,空间既不是客体,也不是主体~([1])——这种观点应该仍在我们已知的范围里。
This article attempts to observe and analyze some dramatic phenomena from the perspective of the theater. In the second half of the 20th century, space research became one of the post-modern studies of science. Lefebvre’s theory of space production attracted the attention of the academic community. He constructed some new concepts and expressions about space, but his basic ideas were not completely solved. For example, he believes that space is not only a material existence but also a container for social relations. Space has material attributes, but it is by no means a material existence that is irrelevant to human practices and social relations. Therefore, space is neither an object nor a subject ~ ([1]) - this view should still be within our known scope.