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二〇〇八年秋天,在德国被青年人完全合理地几乎如神般崇拜的作家兼导演亚历山大·克鲁格(Alexander Kluge),成为了一次将资本流从信息流中分开的不幸尝试的见证人。按照那句谚语所说,要想了解人们,不能在他们工作时,而要在其享乐时去观察他们,克鲁格如往年一样坐在慕尼黑十月啤酒节帐篷当中的老座位上,身边是来自世界各地的六千多位喝酒吃肉唱歌的狂欢者。虽是个引人注目的人物,亚历山大·克鲁格在这样一个谁也猜不到他会来的地方,却可以成功地混迹于人群当中。偶然间,从邻桌听到的几句话,令他竖起了耳朵:在他背
In the autumn of 2008, Alexander Kluge, a writer and director perfectly justified almost as god-worshiped by young people in Germany, became a testimony to the unfortunate attempt to separate the capital flow from the information flow people. As the saying goes, to understand people, not to observe them when they are working, but to enjoy it, Kruger, as in previous years, sits in the old seat of the Oktoberfest tent in Munich with Over 6,000 drinking and singing fans from around the world. Although a striking figure, Alexander Kruger could successfully blend in the crowd where no one could guess where he was coming. Occasionally, a few words from the next table, so that he erected his ears: in his back