中外电影史上的许多经典之作,都曾以设置扣人心弦的故事情节、组织错综复杂的矛盾冲突和塑造个性鲜明的人物形象见长,其艺术魅力的历史不衰是公认的,但是时至今日,随着艺术观念的不断更新,我们发现:传统的影视样式与技法,似已形成了某种不易吸引人的“俗套”,对人物性格的外部刻划,亦几近穷形尽相的边缘而面临难添新质的尴尬。这时,一些艺术眼光不俗的影视编导,便很自然地探寻剧中角色广袤无垠的“内宇宙”奥秘。应该说,青年导演陈韵强执导的《心网》,正是这样一部以开掘人物的深层心理结构为己任,因而具备一定文化品位和较高观赏价值的心理电视剧,它不仅以其国内尚属鲜见的独特样式使广大观众耳目一新,而且也对当今缺少精品的荧苑现状,构成一股呼唤艺术突破的冲击波。 Many of the classics in the history of Chinese and foreign films have long been known for setting exciting storylines, organizing complicated conflicts and creating distinctive personalities. Its history of art charm is well-established, but as of today, As the concept of art continues to evolve, we find that the traditional film and television styles and techniques seem to have formed a kind of “cliche” that is not easily appealing. The external delineation of the character’s personality is also almost at the mercy of the poor, Tim new quality embarrassment. At this time, some film directors with good artistic vision can naturally explore the mystery of the vast “inner universe” in the play. It should be said that the “heart net” directed by the young director Chen Yun-qiang is precisely such a psychological television drama with a certain cultural taste and a high ornamental value. This is not only based on the fact that it is still fresh Seeing the unique style of the general audience refreshing, but also the current lack of quality of the current status of the Court, constitute a call for a breakthrough in the art of the shock wave.