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一“版”的局限 以传统的版画概念来看,从版画的印制原理到版种的划分,都以“版”的物性来取决,“版”的本身含义代表着画面的属性,就画面而言,“版”决定画面的技术性和趣味性的特色差别,版种的要求把画面的主题和形式局限在一个很小的范围之内,而这种认识逐渐成为一种人为的强加在版画家创作自由空间的理性结晶。“版”的材质,尺寸、规格、设备和印刷过程的技术性等就驱使艺术家们难以顾及到“纯画面”的视觉效果,于是版画就自然避开了某些难以表现而又极欲表现的内容而趋附于“版”的局限。 “版”的另一特殊性,就是在版画这一艺术语言中,是不能用“直接”来形容的,无论任何版种在其画面本身都很难体会这一快慰,自然界的万事万物都以直接性来存在,这种选择广义上讲就是更加直观和积极的去表现内心实在的真实,
The limitations of a “version” To the traditional concept of printmaking, from the printing principle of printing to the type of division, are “version” of the physical to decide, “version” of the meaning of the screen represents the nature of the screen In terms of the “version” of the screen determines the technical and interesting differences between the characteristics of the version of the screen requirements of the subject and form limited to a very small range, and this understanding has gradually become a kind of artificial imposed in the version The rational crystallization of the artist’s creation of free space. The materials, dimensions, specifications, technical aspects of the equipment and the printing process of the “edition” impede the artists’ ability to take into account the visual effect of “pure picture”, so the print naturally avoids certain difficult to express but extremely expressive content And attached to the “version” of the limitations. Another particularity of the “version” is that in the art language of printmaking, “directness” can not be used to describe it. No matter what kind of edition it is in this picture itself, it is hard to realize this. Everything in nature Directness to exist, this choice in a broad sense is more intuitive and positive to show the reality of the inner reality,