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在学习《老王》一文时,许多同学把注意力集中到了文中人物的命运、文章的主题等内容上,而忽略了作者为表现这些内容而采用的艺术形式。施耐庵在《水浒》描写人物运用到的“由远而近”这一技法。杨绛先生的散文《老王》,在对“老王”这一人物的描写上,借鉴到《水浒》描写人物的方法,真可谓匠心独运。概括地说,杨绛先生描写老王用了四种描写手法:第一,由远而近:第二,由模糊到清晰;第三,由面而点;第四,由冷而热。
When studying “Pharaoh”, many students focused their attention on the fate of the characters and the theme of the essay, while ignoring the artistic forms adopted by the authors in their performance of these contents. Shinai in “Water Margin” to describe the characters used to “from far to near ” this technique. Mr. Yang Jiang's essay “Pharaoh”, in the description of “Pharaoh ” on this character, drawing on the “Water Margin” description of the method of character, it is indeed imaginative. In a nutshell, Mr. Yang Jiang described the Pharaoh in four ways of portrayal: first, from far to near: second, from ambiguity to clarity; third, from the point of view; fourth, from cold to hot.