王羲之的名帖《兰亭序》及《丧乱帖》具有较高的艺术价值,它们是历代书家百临不厌的法帖,但在人们津津乐道其艺术美时,却极少有人会认真拜读其内容。谈到书法作品时,我们常常会一知半解地把所书汉字看成是繁体与简体的差别,殊不知在庞大的汉字系统中,与繁简字并驾齐驱的还有古今字和异体字,这就要求我们抱着严谨的治学态度去审视它。只有这样,我们才能更好地把汉字和书法艺术融为一炉。 Wang Xizhi’s famous posts “Lanting Preface” and “Mourning Post” are of high artistic value. They are all-pervading Fateh writers in history, but very few of them read the art beautifully when they relish their artistic beauty content. When it comes to calligraphic works, we often understand the Chinese characters as a traditional and simplified difference, but in the huge system of Chinese characters, there are ancient and modern characters and variant characters, which requires us to hold A rigorous scholarship to examine it. Only in this way can we better integrate the art of Chinese characters and calligraphy.