离开《金陵十三叉》那种在色彩中讲述民族悲情的突发奇想,张艺谋终于回到他所熟悉的文艺疆域里。沉寂四年后,张艺谋“归来”时只讲了一个故事——寻找失落的记忆。这段失落的记忆正是张艺谋在《活着》、《我的父亲母亲》与《山楂树之恋》中所深刻摹画的那段声势浩大的时代洪流。而这段历史在《归来》中淡化成主人公冯婉瑜情感失途的背景,实际上是张艺谋深化了对从历史漩涡中归来之人的生命与情感状态的人文关怀的体现。 To leave the “Jinling 13 Fork” that kind of color in the national tragedies whim, Zhang Yimou finally returned to his familiar literary boundaries. Four years after silence, Zhang Yimou “return ” only talked about a story - looking for the lost memory. This lost memory is precisely the torrent of Zhang Yimou’s profound painting of Life, My Father and Mother, and The Love of Hawthorn. In fact, Zhang Yimou actually deepened the humanistic concern for the life and emotional status of those returning from the whirlpool of history.