反叛性曾经是摇滚乐的灵魂,这在美国摇滚乐产生的20世纪60年代可以看到。可是当20世纪80年代摇滚乐传到中国的时候,它主要是作为一种音乐形式被众多爱好音乐的年轻人所接受。由于认识不到位的缘故,中国的摇滚乐始终存在于公众的想象之中,并接受着被谈论、批判甚至谩骂的命运。本文试图从摇滚乐输入中国后发生的变化及其当前的生存状态来认识中国摇滚的反叛性特征,解读部分人对中国摇滚乐的认识。 Rebel was once the soul of rock and roll, as seen in the 1960s when American rock and roll was born. However, when rock music came to China in the 1980s, it was mainly accepted as a form of music by many young music lovers. Due to lack of understanding, China’s rock music always exists in the public imagination, and accept the fate of being talked about, criticized and even abusive. This article attempts to understand the rebellious characteristics of Chinese rock from the changes that rock music imported into China and its current living conditions, and to interpret some people’s understanding of Chinese rock music.