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读过《野玫瑰与黑郡主》(见《山花》一九八一年一至四期)的同志,恐怕都会惊叹作者对异城风情的精确描写,都会被那些近乎离奇的情节所吸引的吧。据说贵州、云南有不少青年朋友在看过《野玫瑰与黑郡主》之后,四处打听作者的经历,作了种种推测。这种关心是很自然的。它至少说明了一个道理:在读者看来,《野玫瑰与黑郡主》这样的作品,决不是闭门造车的人写得出来的,哪怕他是一个天才幻想家和即席编故事的能手。这朵野玫瑰只能开在怒江两岸的山野上,开在克钦人的竹楼边。《野玫瑰与黑郡主》在艺术上可能有这样那样的弱点,会引起一些读者和评
Comrades who read the Wild Rose and the Black Lord (see Shanhua, 1981, I to IV) probably will marvel at the author’s precise description of the different city style, and will be attracted by the almost bizarre plot . It is said that Guizhou, Yunnan, many young friends have seen “Wild Rose and Black Lord” after around the author’s experience, made all kinds of speculation. This kind of care is very natural. At a minimum, it shows the truth that in the reader’s opinion, such works as “Wild Rose and Black Lord” are by no means behind closed doors, even if he is a genius of genius visionaries and impromptu stories. This wild rose can only be opened in the mountains on both sides of the Nu River, open in the Kachin people’s bamboo floor. The “Wild Rose and the Black Lord” may have such a weakness in the arts, will cause some readers and comments