鲁迅小说《祝福》中的“我”,是一个有争议的人物形象。争议的产生,是由于“我”在小说里有着复杂状况。从小说所反映的悲剧发展过程来说,“我”是悲剧的见证人;从小说情节的构思艺术来说,“我”是故事的线索人物。然而又不仅如此。若说以第一人称的“我”把主人公的片断的生活故事织合起来,并借此让“我”作为见证人而与读者相见,在鲁迅小说里也不乏其例。《孔乙己》里的酒僮也是起了这样的作用的。但是,这个酒店学徒在曲尺形的柜台里观察咸亨酒店所发生的有关孔乙己的事件,闻见酒客所讲 The “I” in Lu Xun’s novel “Blessing” is a controversial figure. The controversy arises because “I” has a complicated situation in the novel. From the tragic development process reflected in the novel, “I” is the witness of the tragedy; from the concept art of the plot of the novel, “I” is the clue of the story. However, not only that. If we say that the “I,” the first person, weave together the story of the hero’s life and use it to meet the reader as a witness, there are no shortages of examples in Lu Xun’s novels. The wine boy in Kong Yiji also played this role. However, this hotel apprentice observed the events related to Kong Yiji in the Xianheng Hotel in the square-shaped counter, and heard the guests speak about it.