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明代著名剧作家汤显祖倾尽毕生精力所演绎的杰出剧目《紫钗记》、《牡丹亭》、《南柯记》、《邯郸记》,又被后世誉为“临川四梦”。可以说,汤显祖戏曲梦幻理论建构的独具匠心在于其以艺术家的敏锐思维和激情感悟而将情与理的生命冲突所造成的苦闷、幽怨、抑郁表现得痛快淋漓并在对“情”的反思中张扬着对传统人性观的质疑探秘,从而使其戏曲梦幻叙事富含着隽永的文化情韵。
The famous playwright of the Ming Dynasty, Tang Xianzu, devoted his entire life to his outstanding play “Zi Chai Ji”, “Peony Pavilion”, “Nan Ke Ji” and “Handan Ji”. It can be said that Tang Xian-zu’s original theory of drama fantasy theory is characterized by its painful, bitter-resentment and depression caused by the clash of emotions and emotions of the artist with his keen thinking and passionate perception. His reflections on “love” In the publicity questioned the mystery of the traditional concept of human nature, so that its fantasy narrative drama rich in meaningful timeless cultural sentiment.