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杨小彦:非常感谢大家光临上海美术馆,我希望这次研讨能换一种更加灵活的形式,大家不用像其他研讨会一样排队发言,都是一个问题出来,尖锐一点也没有关系,我们集体讨论和回答。鲁虹:我觉得李群力的作品虽然表现的是风景,但并不是传统的自然风光,而是表现了人类创造的第二自然现在,我要提出一个问题,即当你拍完照片后,你的想法已经都呈现出来,直接展示照片就行了,为什么还要根据所拍照片再画一遍?有没有必然要这样做的理由?李群力:艺术家在参照照片创作绘画的时候,对于拍摄的内容总是有所取舍和变动的,也必然会根据自己的兴趣来强调和深化某些点,而这样创作出的油画作品也是照片不可替代的。但这样也
Yang Xiaoyan: Thank you very much for coming to Shanghai Art Museum. I hope this seminar can be replaced by a more flexible form. We do not have to queue up for speeches like other seminars. It is a problem that is sharp and does not matter at all. Reply. Lu Hong: In my opinion, Li Qunli’s work shows the landscape, but it is not the traditional natural scenery but the second nature created by mankind. Now I want to raise a question that when you finish photographing, your The idea has been presented, direct display of the photos on the line, why based on the pictures taken again? There is no reason to necessarily do so? Li Qunli: artists in reference to photo creation painting, the contents of the shooting is always The trade-offs and changes will inevitably be based on their own interests to emphasize and deepen certain points, and this created oil paintings are also irreplaceable photos. But so too