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“黑土地文学”的界定包含两层意思:第一,是指植根于东北这块黑土地上的文学;第二,则是单就黑龙江文学而言。前者为广义,后者为狭义,二者的共同点在其地域特征上。一、野性与乡土忧怨黑土地文学形成风格,较重要原因之一是这片活跃着生机的关东大地。其间夹杂有自然之美的野性、风厉雨烈的粗犷,还有因苦痛与敏感所生的乡土忧怨。这一特征较集中地体现在20世纪30年代的文学创作上。代表作家主要是萧红、萧军、端木蕻良和骆宾基。
The definition of “black land literature” contains two meanings: first, it refers to the literature rooted in the black land of northeast China; secondly, it refers to Heilongjiang literature alone. The former is generalized while the latter is narrowly defined. The two have in common their geographical features. First, the wild and native grudges Black land literature formation style, one of the more important reason is this lively active Kanto earth. In the meantime, there is the wildness of the beauty of nature, the ruggedness of temperament, the native sadness caused by pain and sensitivity. This feature is more concentrated in the literary creation of the 1930s. Representative writers are mainly Xiao Hong, Xiao Jun, Duan Mulao and Luo Binji.