认知诗学将认知语言学中的心理空间和概念合成理论用于文学研究,把话语世界理解为被投射的小说,或理解为现实世界的过渡域。读者必须能够协调“跨世界认同”。也就是说,我们必须具备在不同世界之间进行映射的能力。《路》讲述的是核爆后的世界,这里自然已毁灭,人类社会原始无序。这个可能的话语世界里没有生产力,没有道德宗教,没有尊严自由。当读者带着固有的图式进入文本世界,会产生怎样的跨空间映射,其生态主题又是如何凸显的呢?下文将详细论述。 Cognitive poetics uses the theory of psychological space and conceptual synthesis in cognitive linguistics for literary studies, understanding the discursive world as a projected novel or as a transitional field in the real world. Readers must be able to coordinate “cross-world approvals.” In other words, we must have the ability to map between different worlds. “Road” tells the world after nuclear explosion, where nature has been destroyed, the original disorder of human society. There is no productive force in this possible discourse world, no moral religion, no freedom of dignity. When the reader enters the text world with its own schemata, what kind of cross-space mapping will be produced and how is its ecological theme highlighted?