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金代邢準的《新修絫音引證群籍玉篇》(簡稱《新修玉篇》)是目前已知的我國古代收字最多(63476個)、彙集音義最多(超過106016條)的一部大型《玉篇》系字書,廣泛“絫音”是《新修玉篇》区別於其他傳世字書的突出特點,這就使得該書所彙集音義材料異常豐富和完備,體現出了很高的音韻學研究價值。《新修玉篇》音義材料的豐富性主要體現在“重音”中,其重音以“《韻》又”標識为核心,但“《韻》又”的具體所指卻是一個謎團。基於此,本文從“《韻》”的形式、“《韻》又”的性質、“《韻》又”的離析三方面出發對《新修玉篇》中的“《韻》又”問题作了深入探討,解決了該書重音研究中“《韻》又”以及與“《韻》又”相關的諸多問题。
Jin Xing Xing Zhun’s “newly-built 絫 tone citation group Jade articles” (referred to as “new Xiu Yu Pian”) is currently known in China received the most ancient letters (63476), pooled the highest level of meaning (more than 10,6016) one Department of large “Jade articles” Department of the book, a wide range of “絫 sound ” is the “new Xiu Yu Pian” distinguished from other handed down the prominent features of the book, which makes the book collection of audio-visual materials exceptionally rich and complete, reflecting A very high phonological research value. The richness of phonological materials in “New Xiu Yu Pian” is mainly reflected in “stress ”, whose stress is marked by “rhyme” and “identity, but” rhyme “and” Is a mystery. Based on this, the dissertation starts from three aspects of the nature of “rhyme ”, “rhyme ” and “rhyme ” “Rhyme” and “problems” were discussed in depth, solving many problems related to “rhyme” and “rhyme” and “rhyme” in the study of accent of this book.