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在中国古代美术史上,文人画的出现和发展,对中国美术的格局产生了决定性的影响。雕塑和绘画在创作主体上的分化,使得雕塑一直不能登上正统文化的大雅之堂。古代的各个历史阶段,即使是统治阶级所倡导、发起的重大雕塑活动,史籍也很少记录,更绝少为雕塑匠师立传。同时,中国雕塑受限于服务功能,限制了雕塑家的自由创作与艺术想象。雕塑虽有着自己的特殊的规律,但在古代中国缺乏理论专著流传下来,没有充分认识、揭示这些规律对雕塑的发展势必产生不利影响。古代雕塑家的社会地位一直未能进入主流,近代以来中国画领域、油画领
In the history of ancient Chinese art, the appearance and development of literati paintings had a decisive influence on the pattern of Chinese fine arts. The differentiation of sculpture and painting in the main body of creation made the sculpture unable to boast of the elegance of orthodox culture. Ancient history at various stages, even advocated by the ruling class, launched a major sculptural activities, historical records are rarely recorded, but scarcely for the carver craftsmen. At the same time, Chinese sculptures are limited by service functions, limiting the free creation of sculptors and artistic imagination. Although sculpture has its own special laws, the lack of theoretical monographs in ancient China has not been fully understood, revealing that these laws will inevitably have an adverse impact on the development of sculpture. The ancient sculptor’s social status has been unable to enter the mainstream, since the modern Chinese painting field, painting collar