“春眠不觉晓,处处闻啼鸟。夜来风雨声,花落知多少。”这是唐朝大诗人李白十分推崇的最能描写春境、抒发春意的佳作之一。《春晓》的作者为李白的好友孟浩然。就此诗的意境而言,从文学的审美角度立意有时光说、爱情说、景物说、劝学说等多种解读。可是,日本汉学家们却独取“劝学”这一鉴赏维度,将此诗推广到许多励志的读物中。比如,在樱花飘落的日子,端坐在蒲团之上,用汉语朗读此诗,是一种静美而惬意的时尚享受,于慢悠悠的品读中,静静地陶冶身心,滋养性情。 “This is the Tang Dynasty poet Li Bai is highly respected description of the most can describe the spring, one of the masterpiece of spring. The author of ”Chun Xiao“ is Li Bai’s friend Meng Haoran. As far as the artistic conception of this poem is concerned, from the aesthetic point of view of literature, there are many kinds of interpretations, such as the theory of time, love, scenery, and persuasion. However, Japanese sinologists have adopted the appreciation of ”Encouraging Learning" to promote this poem to many inspirational books. For example, sitting in a futon on the day when the cherry blossoms fall, reading the poem in Chinese is a kind of beautiful and cozy fashion enjoyment. In the leisurely reading, quietly cultivates body and mind and nourishes nature.