梁卫洲所描绘的男人,永远是属于户内的。 把一个空空荡荡的房间当作既成事实来接受,也许意味着对世界的逃避;但是在这里,世界正恰如其分地揭开了它帷幕的一角——那就是梁卫洲的私人领地,通过穿衣镜、照相机的镜头以及门上的窥视镜,被反复呈现出来。耐人寻味的是,这种呈现是如此的兴味盎然,尽管所描绘的场景是那样单调和索然寡趣:找不到戏剧情节,没有女人和奇花异果,寥寥几样冰凉的器物,百无聊赖的姿式,乖 The man depicted by Liang Weizhou will always belong indoors. Accepting an empty room as a fait accompli may mean evasion of the world; but here the world is rightly unveiling the corner of its curtain - the private domain of Liang Weizhou, The lens and the peephole on the door were repeatedly revealed. It is intriguing that this presentation is so intriguing, though the scenes depicted are so monotonous and trivial: no drama plot, no woman and quinces, a few cool objects, boredom Style, good