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蒲宁勇敢地正视死亡,从而在形而上的哲学层面加深了对于死亡和生命的辩证关系的认识;他对死亡怀有大恐惧,十分充分地描摹形而下的死亡的痛苦与哀伤,使得人们更加珍视生命。在形而上与形而下两个不同维度的开掘中,既产生了深刻的悖论,又达成了更高层面的统一:通过用自觉死亡来取代被动死亡、将生命汇融进大自然、记忆和创作,最终战胜死亡。蒲宁的死亡观其实是“三部曲”:正视,恐惧,战胜。但并非历时性的,而是共时性的:三者大都同时存在于一部(篇)作品中,相互矛盾,缠绕,纠结,永无尽期,然而每一部曲都很深刻——甚至是片面的深刻。蒲宁给世界留下了创造性成果,延续了自己生命的价值和意义,活在世代人们的心中,从而获得了生命的永恒。
Pu Ning bravely confronts death, thus deepening his understanding of the dialectical relationship between death and life at the metaphysical philosophical level. He has a great fear of death and painfully and sadly depicts the death of a metaphor so that people value his life more. . In the digging of metaphysics and metaphysics in two different dimensions, not only have profound paradoxes been produced, but also a higher level of unity has been reached: by replacing the passive death with conscious death, merging life into nature, memory and creation, Final victory over death. Bunin’s death view is actually “trilogy”: face, fear, victory over. But not diachronic, but synchronic: most of the three exist simultaneously in one work, contradictory, entangled, tangled and never ending, yet each is very profound - even One-sided profound. Bunin has left creative achievements to the world and has continued the value and significance of his own life and lived in the hearts of generations of people and thus gained the eternal life.