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昆汀·塔伦蒂诺的影视作品,多为非线性的、多线索的,在影视作品的描述过程中,是一种非常高级的表达形式。学界很多学者大多在研究昆汀·塔伦蒂诺电影时,更加关注其影视作品中的暴力美学和非线性表达手法,对其影视作品语言艺术研究却凤毛麟角。本文从后现代理论视角出发,用后现代理论来研究昆汀的后现代语言艺术,从语言权力的理论基础出发,通过研究昆汀·塔伦蒂诺多线索影视作品的语言艺术,来从另外一个侧面展开对昆汀·塔伦蒂诺作品的研究。
Quentin Tarantino’s films and television works, mostly non-linear, multi-clues, in the description of the film and television works, is a very advanced expression. When studying Quentin Tarantino movie, most scholars in the academic circle pay more attention to violence aesthetics and non-linear expression in their film and television works, and study the language arts of their films and television works. Starting from the postmodern theory perspective, postmodernist theory is used to study Quentin’s postmodern language art. Based on the theoretical basis of language power, through the study of the language art of Quentin Tarantino’s multi-cue film and television works, One side of the study of Quentin Tarantino’s work.