第二次世界大战时期的日本文学被视为日本文学史的“暗谷”时期,日本文坛充斥着为军国主义把持的国策文学,或是战场纪实式的战记文学,一般被认为文学价值不高而鲜有论及。本文尝试通过勾勒像深田久弥这样20世纪30年代初登文坛作家自战前至战后的创作历程,旨在更为全面地反映日本二战文学原像的同时,证明人性本质与艺术本质的象征性分离或许才是战争毁灭性的后果。 Japanese literature during the Second World War was regarded as the period of “dark valley” in the history of Japanese literature. The Japanese literary world was filled with literature on state policy held by militarism or war memorial literature on the battlefield, generally regarded as literature The value is not high and rarely discussed. This article tries to outline the creative process of Deng Wen-kan writers such as Takeuchi Tomomi in the early 1930s from the pre-war to post-war periods and aim at reflecting the original images of World War II in Japan more fully while demonstrating the symbolic nature of human nature and the essence of art Separation may be the devastating consequence of the war.